





It wouldn’t be a Vaccarello show if not for some graphic element.
Vaccarello had experimented with graphic text overlay on fabric in
previous shows, but this time he opted for an artistic rendering of
model Anya Rubik‘s
face on a number of pieces, including varied dresses and tops. The
rendering was not printed, but actually beaded onto the fabric and it
had a compelling effect on the runway.


Notable additions to this show were his emphasis on denim and his
very first bags; both are important components to a collection as they
can often be offered at a more accessible price point for
consumers. The denim was mostly high-waisted, form-fitting, and featured
metal enclosures at the ankle. The bags ranged from a black leather
clutch to a few cross-body styles. Some of my must-have pieces were the
grey and black skirts and dresses worn by Binx Walton and Jamie Bochert,
in particular. These asymmetric looks were equally sultry and
effortless.





Curious about how things looked backstage? Here are my favorite exclusive behind-the-scenes shots from photographer Freddie Rankin:

In all, Anthony Vaccarello seems to be growing with his female
consumer, offering her all the seductive elements of dressing with the
ease of experience.


Sources: Vogue.com, Freddie Rankin

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